ベケット演劇における子供たち

資料種別:
論文(リポジトリ)
責任表示:
吉村, 清 ; Yoshimura, Kiyoshi
言語:
日本語
出版情報:
琉球大学法文学部, 1977-12
著者名:
掲載情報:
琉球大学語学文学論集 = Ryudai review of language & literature
ISSN:
0387-7957  CiNii Articles  Webcat Plus  JAIRO
通号:
22
開始ページ:
67
終了ページ:
88
バージョン:
publisher
概要:
In Beckett's dramatic world, most of the grown-up characters regard birth as pitiless punishment, and naturally enough the children who belong to or come into the characters' world become the subject of their hatred, curses, and even infanticide. However, the children, usually small boys, are not merely presented as the subject of the grown-ups' merciless sadism. Rather the two groups are placed in contrasting situations and given different dramatic functions which the groups do not mutually share. In this paper, I intend to survey the dramatic functions of Becktt's children in relation to his grown-ups by dealing with his three plays: Waiting for Godot, Endgame, and All that Fall. And I would like to examine how effectively Beckett succeeds in using the children in order to emphasize the essentially unchanging situations in which the grown-ups are imprisoned. In doing so, I would like to point out that the chidren are incapable of functioning as a 'catalyst' to alter the amoral and meaningless world of the grown-ups. 続きを見る
URL:
http://hdl.handle.net/20.500.12000/18227
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